"we watched you plant your spirit in the garden of your muddy grace next to an abandoned field of credit cards that had long since expired. Each card bearing the name of someone you needed to put in the ground... & you were waiting for a hard rain to wash your past away...But the downpour didn't come, and you pushed me into the hole that I'd dug. On top of my body you piled all of our glow-in-the-dark memories. Memories as hard as my head and as soft as your neck. Memories as radiant and as bruised as my hypersensitive grace.Memories that not even your haiku conversations, sparse from words you never had the courage to say,can obliterate.'"-T.Debartolo
Ivanovo detstvo/Ivan’s Childhood (1962, Andrei Tarkovsky)
The complexly choreographed sequence involving Masha’s encounter with Kholin in the birch forest is one of the most iconic shots in cinema, symbolizing the need for help in hard times, a moment of connection above the void, a desperate act of human contact. The camera tracks their movements at a distance before joining them, finally, in a strange, low-angle embrace over a small trench. The shot begins from a low point of view, and then, when Masha tries to jump over the ditch and is intercepted by Kholin, who holds her in the air and kisses her, the camera goes down below ground level and records the scene from within the ditch, to soon thereafter rise sharply up and continue rolling at eye level with the characters. (1, 2)
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Ivanovo detstvo/Ivan’s Childhood (1962, Andrei Tarkovsky)...The complexly choreographed...
I want to see this
I haven’t seen the movie but this does look like a really rad shot.